# Writing Search Within Results Search Within Results search ## 6 results Show filters filter\_alt Sort by Year of PublicationAlphabetical A-Z sort ## 6 results Download 6 citations download- [BibTeX](/node/691346/export?format=bibtex) - [EndNote X3 XML](/node/691346/export?format=endnote8) - [EndNote 7 XML](/node/691346/export?format=endnote7) - [Endnote tagged](/node/691346/export?format=tagged) - [Marc](/node/691346/export?format=marc) - [PubMedId](/node/691346/export?format=pubmed_id) - [RIS](/node/691346/export?format=ris) ### 2020 McClellan C. [Carrie Lambert-Beatty: Truth-Bias.](/publications/carrie-lambert-beatty-truth-bias) Art Papers. 2020. McClellan C. [Carrie Lambert-Beatty: Truth-Bias.](/publications/carrie-lambert-beatty-truth-bias) Art Papers. 2020. - add\_circle do\_not\_disturb\_on Abstract - [ descriptionPublisher's Version](https://www.artpapers.org/carrie-lambert-beatty-truth-bias/) Harvard professor and art historian Carrie Lambert-Beatty has published texts on dancer and choreographer Yvonne Rainer, collaborative artists Allora & Calzadilla, and parafictional works of art. She is currently writing a book that expands upon her 2009... - [ descriptionPublisher's Version](https://www.artpapers.org/carrie-lambert-beatty-truth-bias/) ### 2018 Stafylakis K, Lambert-Beatty C. [Parafictional tendencies: Carrie Lambert-Beatty in conversation with Kostis Stafylakis](/publications/parafictional-tendencies-carrie-lambert-beatty-conversation-kostis). In: Anti- . Athens: An Athens Biennial publication; 2018. pp. 140–46. Stafylakis K, Lambert-Beatty C. [Parafictional tendencies: Carrie Lambert-Beatty in conversation with Kostis Stafylakis](/publications/parafictional-tendencies-carrie-lambert-beatty-conversation-kostis). In: Anti- . Athens: An Athens Biennial publication; 2018. pp. 140–46. - add\_circle do\_not\_disturb\_on Abstract - [ picture\_as\_pdfStafylakis\_Lambert-Beatty...](/sites/g/files/omnuum10061/files/lambert-beatty/files/athens_parafictional_tendencies_carrie_lambert-.pdf) "If parafiction started at the end of the 1990s, then it's an interesting phenomenon that arises at a particular point within contemporary art. But now I think it has been part of this thing we call 'contemporary art' from the beginning [c.1989]. That... - [ picture\_as\_pdfStafylakis\_Lambert-Beatty...](/sites/g/files/omnuum10061/files/lambert-beatty/files/athens_parafictional_tendencies_carrie_lambert-.pdf) ### 2013 Lambert-Beatty C. [“The Academic Condition of Contemporary Art”](/publications/%E2%80%9C-academic-condition-contemporary-art%E2%80%9D). In: Dumbadze A, Hudson S, editors. Contemporary Art: 1989 to the Present. New York: Wiley-Blackwell; 2013. Lambert-Beatty C. [“The Academic Condition of Contemporary Art”](/publications/%E2%80%9C-academic-condition-contemporary-art%E2%80%9D). In: Dumbadze A, Hudson S, editors. Contemporary Art: 1989 to the Present. New York: Wiley-Blackwell; 2013. - add\_circle do\_not\_disturb\_on Abstract - [ descriptionPublisher's Version](http://www.wiley.com/WileyCDA/WileyTitle/productCd-EHEP002671.html) "Academia isnʼt contemporary artʼs funeral parlor. It is its current address" - [ descriptionPublisher's Version](http://www.wiley.com/WileyCDA/WileyTitle/productCd-EHEP002671.html) ### 2011 Lambert-Beatty C. [“Recuperating Performance”](http://www.amazon.com/Allora-Calzadilla-Gloria-International-Exhibition--/dp/3791351370/ref=sr_1_1?s=books&ie=UTF8&qid=1444413399&sr=1-1&keywords=gloria+allora+calzadilla). In: Friedman L, editor. Allora & Calzadilla: Gloria. U.S. Pavilion, 54th International Art Exhibition - La Biennale Di Venezia. Prestell; 2011. Lambert-Beatty C. [“Recuperating Performance”](http://www.amazon.com/Allora-Calzadilla-Gloria-International-Exhibition--/dp/3791351370/ref=sr_1_1?s=books&ie=UTF8&qid=1444413399&sr=1-1&keywords=gloria+allora+calzadilla). In: Friedman L, editor. Allora & Calzadilla: Gloria. U.S. Pavilion, 54th International Art Exhibition - La Biennale Di Venezia. Prestell; 2011. - add\_circle do\_not\_disturb\_on Abstract - [ picture\_as\_pdf2011\_recuperating\_perform...](/sites/g/files/omnuum10061/files/lambert-beatty/files/2011_recuperating_performance_alloracalzadilla.pdf) On the aesthetics and politics of recuperation. Dances are listened to, pianists play upside-down and backwards, and audiences re-tune their senses in Jennifer Allora and Guillermo Calzadilla's inventive works of "delegated performance" (Bishop). I... - [ picture\_as\_pdf2011\_recuperating\_perform...](/sites/g/files/omnuum10061/files/lambert-beatty/files/2011_recuperating_performance_alloracalzadilla.pdf) ### 2009 Lambert-Beatty C. [Make Believe: Parafiction and Plausibility](/publications/make-believe-parafiction-and-plausibility). October. 2009;129:51–84. Lambert-Beatty C. [Make Believe: Parafiction and Plausibility](/publications/make-believe-parafiction-and-plausibility). October. 2009;129:51–84. - add\_circle do\_not\_disturb\_on Abstract - [ descriptionPublisher's Version](http://www.mitpressjournals.org/doi/pdfplus/10.1162/octo.2009.129.1.51) "Between 1998 and 2008, artists gave us advertising campaigns for imaginary products, a not-really-censored exhibition, hacked museum audio tours, several never-made movies, a sham supermarket, nonexistent video installations, dubious abortions, a staged... - [ descriptionPublisher's Version](http://www.mitpressjournals.org/doi/pdfplus/10.1162/octo.2009.129.1.51) ### 2008 Lambert-Beatty C. [Being Watched: Yvonne Rainer and the 1960s](/publications/being-watched-yvonne-rainer-and-1960s). Cambridge, MA: MIT Press; 2008. Lambert-Beatty C. [Being Watched: Yvonne Rainer and the 1960s](/publications/being-watched-yvonne-rainer-and-1960s). Cambridge, MA: MIT Press; 2008. - add\_circle do\_not\_disturb\_on Abstract "A brilliantly vivid description of Rainer, Judson, and art making in the 1960s, *Being Watched* sets a new scholarly standard for dance and performance studies. Combining impeccable archival work, a nuanced understanding of the drama of vision, and a...